book publishing

Home / Posts tagged "book publishing"

So you want to publish a book: distribution and website

This series was originally posted in 2008

It’s never too early to think about how you’re going to reach your audience. Don’t think for a second: “If I write it, they will read.”

Getting your book into stores isn’t easy. The big guys in the publishing industry have whole teams working the big chains constantly to get their product placed prominently in stores. As a self-publisher you’ll have to do a lot of leg work to get your book on the shelf. And even then you’ll probably find that your book will be lost in the tide of a an literary ocean as the big box stores have millions of other titles.

Additionally, you may find yourself faced with huge orders only to have those same books returned to you three months later, dog-eared and unsuitable for resale.

As luck would have it, in addition to being a fantastic editor, Don Bastian also runs a small imprint and we were able to negotiate a fair deal for distribution in Canada. Where he takes on the leg work of retail promotion and distribution.

But if you don’t have a distributor for your book, you can still send out copies to reviewers, library magazines and direct folks to a web site.

The model for distributing books has been the same for hundreds of years. Authors write a book, sell that book to a publisher, who then gets that book into bookstores.

This really made a lot of publishers and bookstores very rich. But for a small author trying to break into the racket, you may find that you’re just not worth the effort for these guys. But the internet has chnaged things. It’s easy to get your book into the online booksellers. But the real way for a small author to achieve the maximum return on investment is to build a web site with an ecommerce component and sell the book online.

With Moose, I hired a fellow from Pakistan to do the work. The result is

If you visit the site, you’ll notice we’re selling the book through our site as e-book and audiobook. Both these methods are great opportunities to reach an audience online and save money on production at the save time.

The website is a great way to provide information about your book and you can make it as interactive as you want. Websites are also great because you’re not just releasing your book to a domestic audience. You have the potential to sell to anywhere in the world. Think about it. A person in Toronto can download an ebook or audiobook as easily as someone in New York, London or Dublin! How’s that for a distribution channel?

So you want to publish a book: professional editing and illustrations

This series was originally posted in 2008

The editor is the most important member of the team you pull together. Don’t cheap out. There is nothing more cringeworthy than a poorly edited book. Don Bastian has decades of experience as an editor and was the Managing Editor at Stoddart books at one time.

Beyond looking simply for grammatical and spelling issues, the editor looks at the project from a readers perspective. Because of Don’s experience he was able to provide insights that made the narrative structure of the book better. And even then – we were still catching little things in the hours before the book went to the printer!

The illustrations are something that may sound easy. In Moose, illustrations are found at the beginning of each chapter and the cover. Great illustrations can help propel a story and set the tone for the book. Before we went with Bill Kimber, we looked at five other illustrators. Of those five, Bill came the closest to the “whimsy” we were looking for.

But even though he was close – it took some back and fourth before we got to where we were comfortable with what we had. Another thing to consider about the illustrator and the illustrations is how you plan to use them. In moose, the cover illustration is in colour and the chapter illustrations are in black and white. However, we had Bill create colour versions of everything, so we could also use these illustrations on the web site and on the materials Jim uses for his keynotes and workshops.